These monoprints have been created using torn pieces of textured wallpaper, the paper has been inked up and run through the etching press.
In order to gain more control over the finished print a stencil was cut and laid over the pieces of wallpaper.
But why stop there? Once dry, the prints could be screen printed over or have text added to them in the letterpress room, the possibilities are endless.
Such a simple method has produced such effective results, but how could you apply this technique in your work?
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